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The Political Force of Pronouns

I was going to write an essay today about identity politics and gender ideology. It’s a big, interesting subject, with plenty to argue about. But one aspect of it has become a wedge issue politically. I’m talking about the crusade to mandate (either by social force or by legal force) “gender preferred” pronouns.

In case you aren’t familiar with the debate, it has several iterations. Three of the most common are:

* Gender is a social construct. Masculine and feminine are adjectives that describe personal traits that society has invented. They purport to describe the differing tendencies and characteristics of males and females. But in reality, they are traits that either sex can have and exhibit.

* Sex, too, is a social construct. Unlike other mammals, the sex of Homo sapiens is not determined by DNA or the biological results of DNA, such as genitalia. One’s sex is determined by the sex one “identifies as” at any point in time.

* Because both gender and sex are social constructs, gender and sex don’t exist. To put it differently, gender and sex exist only as notions of identity on an ever-changing ideational spectrum that cannot be, and should not be, defined by either law or custom. Doing so, even accidentally, is a form of violence, and should be prohibited by force.

As I’ve mentioned before, I am well aware that there are people that feel like they were born in, or are otherwise living in, a physical body that does not comport to the sex they identify with. Furthermore, I believe that adults who feel that way have a right to change their physical appearance and emotional tendencies by taking hormones and having surgery – measures that require a great deal of bravery. My guess is that having “gender affirming care,” as they call it, is unlikely to improve their mental health. Still, they have every right to give it a go. And when an individual has completed this transformation, I believe it would be mean spirited, when in the presence of such a fully transitioned individual, to refuse to use the pronoun that comports with their renovated (however artificially) body. I don’t think it should be outlawed, but I don’t see why any considerate person should do otherwise.

That said, I do have a problem when the “preferred” pronoun debate gets bizarre and irrational. For example:

* When people who have not transitioned insist on being called what they do not in any way look like.

* Or when, as is the case with Canada, the state mandates that citizens use preferred pronouns under penalty of law.

The problem with these two stances is obvious. It is only by the threat of social or legal punishment that a society can force individuals to say they believe something is true that is obviously false. A big, hairy man with a penis wearing a skirt and lipstick is not a woman. No matter how he dresses or what sort of cosmetic he puts on his face.

What we could call such a person… what we should call such a person is “a man that identifies as a woman.”

That’s it. Nothing more. If he hasn’t done the transition, he is not, by any stretch of logic, a woman. Why, except for mental illness, should he claim to be?

And by the way, what’s wrong with being called “a man that identifies as a woman” when that is what one is? Don’t be embarrassed. Own it. Say it. Be proud of it!

Likewise, how can anyone that is rational agree to call such a man a woman? One can argue that using a non-transitioned person’s preferred pronouns is “a courtesy” and “no big thing.”  But it is a big thing. It’s scientifically and provably false.

To say that to take part in a very dangerous social deceit that cannot be described as anything other than a new religion.

I was going to write more on the preferred pronoun issue, but I’m running out of time. So I’ll just outline my arguments by saying this:

* If you can redefine a word, you can redefine a thought.

* If you can banish a word, you can silence a thought.

* If you can silence a thought, you can silence an idea.

* If you can silence an idea, you can banish an ideology.

* If you can banish an ideology, you can banish rational thinking.

* If you can banish rational thinking, you can create new laws.

* If you can create new laws, you can vanquish your opponents.

* If you can vanquish your opponents and banish rational thinking, you can have a contented, tyrannical state.

* Mandated language is the single most important step on the road to tyranny.

And here are some thoughts on the subject that I’ve gathered from others:

* Pronouns are the gateway drug to a larger ideology. Our kindness and politeness is weaponized.

* Pronouns are a wedge of speech control under the disguise of politeness. It’s a huge, narcissistic burden upon other people.

* When asked for my pronouns, I say “I have no special requests.” And if they push, I tell them “I have no desire to dictate your speech. Use whatever pronouns you want for me, and if they aren’t correct I promise I will not crumble.”

* Pronouns are words that other people use to describe you. To dictate pronouns is to dictate another person’s speech.

* No one ever addresses why a person with gender confusion’s right to coerce speech from other people trumps my right to live in reality. I find it traumatic to be forced into saying things I know are not true. This is significant stress. So why is it not considered cruel and unfair to FORCE me to go along with the pronoun game?

* What I do is first say, “Are you sure it’s okay. I mean, I don’t want to impose.” Given encouragement, I say, “Thank you for the freedom to finally express my inner self. My pronoun is “His Sublime Majesty.”

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The Contemporary Art Market Is Still Strong

The high end of the art market has been doing very well for a surprisingly long time. In recent months, however, there’s been some softening. That’s not surprising. In fact, it’s overdue. What I’m comforted to see, however, is that – so far, at least – there’s been nothing that feels like a crash.

I had my eye on a recent Christie’s auction that was dedicated solely to contemporary art. Twenty-seven lots were offered, including a big 1983 triptych by Jean-Michel Basquiat that was, for me, the most important indicator.

The total price for the group came to $75 million ($99 million with buyers’ fees). That was in the middle of the pre-sale estimate. The bulk of those dollars were for the Basquiat. But the most exciting sale was a 2020 painting by Danielle McKinney (“We Need to Talk”), which was estimated to sell for $20,000 but fetched $201,600!

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The Trial 

By Franz Kafka

Written in 1914 and published posthumously in 1925

176 pages

May’s book selection for The Mules was The Trial by Franz Kafka. We don’t often read classics, but I’m always happy when we do. In some cases, I get to read an important book that I’ve never read. If I’ve read it already, it’s even better. Classic books are classics for a reason. You can’t possibly get all they offer in a single read.

Prior to this, I had read only one book by Kafka: Metamorphosis. (I think it was assigned in college.) But if ever The Trialcame up in conversation, I’m sure I would have pretended to have read it. Even in high school, I was well aware that reading Kafka – and these two novels in particular – was de rigueur for anyone that wanted to present himself as well read.

I’m not sure how to describe The Trial. It reminded me a bit of Dostoevsky’s Crime and Punishment. In both books, the protagonist is involved in the criminal justice system. In both, there is a good deal of philosophical consideration that carries along just under the action. Both Kafka and Dostoevsky have an ability to present a dark, almost fatalistic, view of the world in an unsettling but comic way.

But The Trial also reminded me of some of Samuel Beckett’s plays (Waiting for Godot, Endgame, etc.) in its soporific pace, simplicity of language, and absurdist point of view. I found myself thinking, “Okay, I get it,” after the second chapter. I almost stopped reading. But, first, I decided to watch Orson Welles’s rendition of the story on film. And I’m glad I did. It was mesmerizing and sent me back into the book with the energy to finish it.

The Plot 

On the morning of his thirtieth birthday, Josef K, the chief cashier of a bank, is unexpectedly arrested by two unidentified agents from an unspecified agency for an unspecified crime. Josef is not imprisoned, however, but left “free” and told to await instructions from the Committee of Affairs.

The rest of the book is like a bad dream. For the protagonist, things go steadily from bad to worse.

The Themes 

We didn’t spend much if any time on the plot. The plot, in any good absurdist or existential novel, is not the point. Our conversation was all about the themes that presented themselves continually in the reading of the book and then came back to haunt the reader after putting it down.

At one level – the most basic, I think – The Trial is about the endless tyranny of bureaucracy. But it is also very much about the existential dilemma of being human in a nihilistic, post-Enlightenment, post-religious world, where finding meaning in life is impossible, unless one can find meaning in nothingness. (An idea that Sartre, among other existentialists, made a fair case for.)

A major theme of the book, which I was surprised most of the Mules didn’t recognize, was guilt – the result of man’s original sin: being born with a self-reflective consciousness and having to deal with its constant reminders of his weaknesses and failures.

Okay, I’ll stop here. I was hoping to give you a sense of how many interesting and potentially pompous topics The Trialcould lend to any philosophical conversation, as it did to ours that evening.

Here is what I need to say. The Trial is, as advertised, a great book. Not great in the sense of “I really enjoyed reading it,” but great in the sense of “If you want to experience why Kafka is considered so important by so many smart people, you have to read it.”

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The Trial

Directed by Orson Welles

Screenplay by Orson Welles, based on The Trial by Franz Kafka

Starring Anthony Perkins, Orson Welles, Jeanne Moreau, Romy Schneider, Akim Tamiroff, and Elsa Martinelli

Original release date Dec. 22, 1962 (France)

There have been at least three film adaptations of The Trial. I’ve only seen the one by Orson Welles. But it was great – well worth watching in conjunction with reading the book.

What I especially liked about it:

* The mood, which is attributable to Welles and Edmond Richard (the cinematographer).

* The music by Jean Ledrut and Tomaso Albinoni.

* The fact that Josef K, the protagonist, is played by a young and visually arresting Anthony Perkins.

You can watch the trailer here.

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From AS, re my comments about the rear-naked choke hold in the May 26 issue: 

“In all the media reports about the subway debacle I saw, there was no physical contact, that is until the ex-marine used the choke hold.

“They taught that choke hold to us in the Army. There was no explanation in terms of different levels of damage it might cause. That’s because they were teaching us to kill. Yes, it is quite lethal.”

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I was familiar with the phrase “house of cards” – usually used to describe a situation or plan that is in imminent danger of collapse. But I didn’t realize that stacking playing cards into impossibly tall/complex structures can be an art form.

Click here for a fascinating video.

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"Were it not for hypocrisy I’d have no advice to give."
"Were it not for sciolism I’d have no ideas to share."
"Were it not for arrogance, I’d have no ambition."
"Were it not for forgetfulness, I would have no new ideas to write about."