Suggestion…

If you enjoy film, fiction, and casual philosophical conversations, I have a suggestion for you and some of your like-minded friends. (This is something I did recently with The Mules, my book club.)

First: Read Julio Cortázar’s short story, “Blow-Up.” (30 minutes)

Second: Watch Michelangelo Antonioni’s film, Blow-Up. (90 minutes)

Third: Watch Francis Ford Coppola’s film, The Conversation. (90 minutes)

Antonioni’s film is based on the  Cortázar short story. The Conversation is a clever adaptation of the Antonioni film.

Fourth: Discuss.

* What the heck is the short story about, anyway?

* How did Antonioni’s film adhere to and depart from Cortázar’s story?

* How is Coppola’s version like Cortázar’s story and how is it like Antonioni’s film?

* Blow-Up, the short story, is about direct observation; Blow-Up, the movie, is about photography; The Conversation is about audio recording. What is the common theme?

* Which did you like better, and why?

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Blow-Up: And Other Stories

By Julio Cortázar

288 Pages

Published 1985 by Pantheon Books

Interesting Fact: In addition to his stories, poetry, and novels, Cortázar published a graphic novel in 1975 titled Fantomas vs. The Multinational Vampires.

From Saturday Review: “Cortázar displays throughout his stories the ability to elevate them above the condition of those gimmicky tales which depend for effect solely on a twist ending. His genius here lies in the knack for constructing striking, artistically ‘right’ subordinate circumstances out of which his fantastic and metaphysical whimsies appear normally to spring.”

From Time Magazine: “[Cortázar] is a unique storyteller. He can induce the kind of chilling unease that strikes like a sound in the night.”

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Blow-Up (1966)

Directed by Michelangelo Antonioni

Starring David Hemmings, Vanessa Redgrave, Sarah Miles, and Jane Birkin

From Roger Ebert: “A hypnotic conjuring act, in which a character is awakened briefly from a deep sleep of bored alienation and then drifts away again. This is the arc of the film. Not ‘Swinging London.’ Not existential mystery. Not the parallels between what Hemmings does with his photos and what Antonioni does with Hemmings. But simply the observations that we are happy when we are doing what we do well, and unhappy seeking pleasure elsewhere. I imagine Antonioni was happy when he was making this film.”

From Rotten Tomatoes: “Exquisitely shot and simmering with unease, Michelangelo Antonio’s Blow-Up is an enigma that invites audiences to luxuriate in the sensual atmosphere of 1960s London chic.”

 

 

The Conversation (1974)

Directed by Francis Ford Coppola

Starring Gene Hackman, John Cazale, and Harrison Ford

From Emanuel Levy: “This is one of Coppola’s masterpieces, a prophetic film about paranoia, the growing role of technology in our daily lives, and the impossibility of privacy even in public spaces.”

From Rotten Tomatoes: “This tense, paranoid thriller presents Francis Ford Coppola at his finest – and makes some remarkably advanced arguments about technology’s role in society that still resonate today.”

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