I’ve watched very few movies and very little TV in the past several months. I’ve been very busy with the outputs and taking in too little, except for my YouTube habit (which I talked about in the Sept. 16 issue). But today, in this “Worth Watching” issue, I have many recommendations for you, starting with two movies (one from the past to watch now and one to watch when it’s released), as well as a new Netflix series and a bunch of videos.

And I’m kicking it off with a little story about my brush with movie stardom.

But first, let me say thanks to the readers who picked up on the typo in the last post. I am NOT in my 80s, as readers who do not know me might have thought when they read that I had given up golf sometime around my 79th birthday.

Stop! Don’t tell me! Let me guess!

The year was 1988. K and I were in Paris, walking down some street whose name had several silent vowels in the some-number arrondissement, on our way to some place or event K had undoubtedly decided we should see, when I noticed a familiar figure walking in the opposite direction on the other side of the street.

“I know that person!” I said, excited at the prospect of running into someone I knew in an such an unlikely place.

“No, you don’t,” K said, confidently.

She must have sensed some change in my body language because she grabbed me by the elbow and said, “Stay here.”

It was too late. The grip was too tentative. Thirty seconds later, I was standing in the middle of the sidewalk facing this person, eager to discover in the next few seconds our mutual connection.

When he was a few yards away some part of my brain that is somehow related to my ready-fire-aim history of moving myself through the world took over. I raised my hands in a friendly way, grinned widely, and said, “Stop! Don’t tell me! Let me guess!”

He stopped. His eyes widened just a bit. The smallest smile animated his face. I took that to mean that he remembered exactly what our common kinship was and was amused that I couldn’t put a finger on it. But it was also clear that he was happy to see me again and would therefore be willing to indulge me in a game of “Ten Guesses.”

“Do we know each other from business? Did we meet at a direct marketing convention?”

He shook his head, still smiling, still amused that I couldn’t guess how I knew him.

“Okay, so maybe we’ve never met. Maybe I know you because I’ve seen photographs of you.”

He opened his mouth as if he were going to spill the secret.

“No! Don’t tell me!” I was happily shouting now. “Let me guess!”

He relaxed his posture as if to say, “Go ahead. Give it a try.”

“I’ve seen your photo in magazines. Maybe you are… No, you’re not a politician. I wouldn’t have a good feeling about you if you were.” And then looking him up and down, I said, “And you’re not an athlete.”

His smile widened.

“You’re an actor!” I said. “Is that it?”

He nodded his head and began to speak.

“No! Don’t tell me!”

I hit him with a few more qualifying questions – an actor on the stage or in movies, a dramatic actor or a character actor. (I was quite sure he wasn’t a leading man.)

With each question, his interest in our game was diminishing. I could see him looking over my shoulder and past me as if he was looking at whatever it was he was headed to.

“Can I give you a hint?” he said.

Feeling his impatience, I agreed.

“I won an Academy Award for Places in the Heart.”

I thought about it. I’d seen the movie several years earlier. I remembered that it was sad. And that Sally Field had starred in it. But I couldn’t remember this guy.

“Okay,” I said. “I give up.”

My name is John Malkovich,” he said.

He could see that I didn’t recognize the name.

“So, what are you doing in Paris?” I said.

“I’m making another movie.”

“Oh,” I said. “Interesting. What’s it called.”

Now he was looking over my shoulder more urgently.

“It’s called Dangerous Liaisons – and I’m afraid if I don’t get going, I’ll be late.”

“Oh,” I said, snapping out of whatever it was that had taken over my mind. “Oh, yes. I didn’t mean to…”

“That’s fine,” he said. “It was fun. But I have to go.”

“Right,” I said, coming fully into consciousness and feeling a tidal wave of embarrassment.

That was the moment to let him go. But somehow, I couldn’t do it. My mouth started moving again and a sentence came out.

“Do you know John Savage?” I heard myself saying.

His eyes narrowed. “Yes, I know John.”

I nodded my head as if I’d finally figured it out and could finally make my new friend John Malkovich feel he had not wasted his time.

“Yeah, I was hanging out with him last month at the China Club in Manhattan.”

He nodded. “Oh, great. Well, say hello to him for me next time you see him,” he said. And he rushed off.

Had he stayed he could have heard about how it happened that I ended up hanging out with John Savage.

Movie: The Conversation 

Directed by Francis Ford Coppola 
Starring Gene Hackman and John Cazale
Released: 1974
Run Time: 113 min. 

I’ve watched this film at least a half-dozen times since it was released in 1974. Watching it again last week did not disappoint my high expectations. On the contrary, it reconfirmed my great admiration for it. If I had a Top Ten Movies of All Time list, The Conversation would be on it – perhaps in the top five.

The Story: A masterpiece of 1970s paranoia, The Conversation features Gene Hackman as a surveillance expert who finds himself helplessly enmeshed in a murder plot when he is hired to record a conversation between two people.

What I Liked About It 

Everything!

* It stars Gene Hackman, one of my favorite actors, who plays the role of Harry Caul, a private, almost paranoid surveillance expert who nearly loses his mind in the course of discovering the details of an otherwise mundane case. Hackman makes his character and the entire movie work.

* It costars John Cazale, who plays Stan, Caul’s assistant. A character that is the perfect foil for Hackman’s character.

* It has an intriguing plot intensified through the brilliant directing of Francis Ford Coppola, one that gripped me from beginning to end.

Interesting 

Coppola said he based Harry Caul on Harry Haller, the protagonist of Hermann Hesse’s novel Steppenwolf, a “total cipher” who lives alone in a boarding house. The character and one of the scenes were also inspired, according to Coppola, by Karl Schanzer, a private investigator and occasional actor who appeared in Coppola’s early films.

Those may have been influences, but what is crazy to me is the biggest and most obvious one – Antonioni’s 1966 classic Blow Up, a psychological thriller about a London photographer who accidentally discovers evidence of a murder in one of his photographs.

And by the way, Blow Up was inspired by Julio Cortazar’s 1959 short story “Las Babas del Diablo.”

Both the movies and the short story were, on one level, about people being fooled by their perceptions – or as Antonioni said, about man’s relationship not with other men but with reality.

In Blow Up, the method of discovery was visual – i.e., photography. In The Conversation, it was aural – i.e., listening devices.

There were other similarities – themes and motifs in the films, including the process of discovery, the immersion in rarefied environments, and even the same dominant color schemes (red, black, white, and gray).

Bottom Line: Whether it was done consciously or not, The Conversation was a masterpiece of creating a beautiful art object by imitating an existing beautiful art object, with one element changed. (My idea of “One Step Removed.”)

Critical Reception 

The Conversation, Coppola, and Hackman won 14 major industry awards and were nominated for 17 more. Wins included two BAFTAs (Best Film Editing, Best Sound Track), the Palme d’Or for Coppola at Cannes, and Best Director for Coppola from the National Society of Film Critics.

My Rating: 5 out of 5

You can watch the trailer here.

 

 Movie: Send Help 

Directed by Sam Raimi
Starring Rachel McAdams and Dylan O’Brien
Release Date: Jan. 30, 2026 
Run Time: 1 hour, 30 min.

This looks like it’s going to be fun: Sam Raimi + Survivor 

The Story: Two colleagues become stranded on a deserted island, the only survivors of a plane crash. On the island, they must overcome past grievances and work together to survive – but ultimately, it’s a battle of wills and wits to make it out alive.

You can watch the trailer here. 

Miniseries: Black Rabbit

A Netflix miniseries (8 episodes)
Starring Jude Law and Jason Bateman
Released: Sept. 18, 2025
Run Time: approx. 45 to 70 minutes per episode

The Story: Black Rabbit is a drama – part crime, part family, part restaurant drama about a high-end restaurant in New York City. The plot follows the two brothers who started it, exploring “the dark side of the restaurant business when one brother’s troubles lead to a dangerous underworld.”

What I Liked About It 

* It works dramatically on several levels: as a restaurant story, as a family story, as a political/social story.

* The acting is good throughout.

* The editing is very good. It turns what could have been a TMI piece into an addictive script.

You can watch the trailer here.

A Longish YouTube Piece and 20 Short Ones 

* Piers Morgan Confronts Murderer Amber Wright 
Run Time: 45 minutes

This is haunting: A 15-year-old who lured her ex to a grisly murder.

* Shut Down: Dems Panic; Trump Drains the Swamp
Ron Yates is on top of this, as he usually is on economic/political issues.

* Bill Maher on Arab Countries
Just stating the facts. His audience doesn’t get it. Crickets!

* Scary and Difficult to Watch
A parent’s worst nightmare. Chairman Hawley exposes AI chatbots for harming children.

* Lefties Losing It
Rita Panini does what she does best: showing the absurdity of lefties who melt down when they face logic.

* Trump Offers Iran a Way Out
Trump is the best friend of Jews worldwide. Now he moves toward peace and prosperity for the entire Middle East. Will they take it?

* Vaccine Scam
This is what they knew… and did.

* Anthony Aguillar: A Hamas Propogandist
A viral whistleblower told a story about Gaza. It fell apart.

The Truth About Islam
From the son of the father of Hamas.

* What If They Can’t Change? 
I’m writing a book about why our systems for many kinds of bad actors can’t change? Here is one example.

* I Have a Major Crush on Yuja wang
Here’s why…

* The Truth About Plaque
From JS: “This 21-minute video is worth your time. If you’re open to challenging long-held beliefs, it will clear up major misconceptions around heart disease.”

* Peachtree Jewelry Exchange
This is a guy who has a disarming way of bringing his customers into reality.

* Do You Know Who Victor Borge Was? 
Now you do!

Who Are the Victims? 
It’s not the Black population. Sometimes leadership means making tough decisions for the public good.

* Cancelling the Ride 
Was he right?

* Confronting a Legal Immigrant
This Iranian man spent three years in a refugee camp in Turkey before immigrating to the US. Here he’s leaving the gym, “minding his own business,” until this happened.

* Poll Damages Democrats as Schumer Shutdown Backfires
A major blow.

* Nosy Karen Neighbors
He’s just trying to help cut the grass, and she says he didn’t do a good job.

* Guy Who Started the Palisades Fire
Finally arrested!

* His Actions Were Unforgivable 
Do you believe that everyone can be rehabilitated? Answer this: Why rehabilitate a monster like this?

Why I Do What I Do 

From KR: “I want you to know that since finding you through the Early to Rise newsletter back in 2001, you have been and continue to be an inspiration for me as a copywriter and as a ‘systems-builder’…. You are a part of my inspirational stack, and I’ll always be in your debt for showing me the ‘freelance light.’ It showed me an amazingly different way to live my life.”

 

From KM, a reader in Japan: “I have been reading each of your email newsletters since Sept. 13 with great interest. I’m using Grok and Google Translate for them, but I find Google Translate captures the nuances a bit better. The sorrow and confusion over Charlie Kirk’s assassination came through strongly and it touched me deeply.”