Holding Fast to the Stories We Want to Believe 

I got into an interesting discussion about a comment I made in reviewing King Richard. I said:

“Before I saw the film, all I knew of Richard Williams was the character the media portrayed him to be: fanatical, egotistical, and abusive. The story told here, which was approved by Venus and Serena, showed evidence of the former two traits but none of the last. On the contrary, the Richard we see in King Richard is a loving and devoted father, doing his best to raise five healthy, successful daughters.

“I haven’t done any research to determine the veracity of this portrayal. If it’s good enough for Serena and Venus, it’s good enough for me.”

A friend took issue with that last sentence. “By all accounts,” he said, “Williams was more horrible than the movie indicated.”

One man. Two stories. Which should we believe? The extremely negative characterization put out by the media for so many years? Or the more benign view presented by Richard Williams’s daughters in the movie?

We debated the question earnestly. But neither of us was persuaded by the other’s arguments.

Afterwards, I was thinking about other, similar media characterizations. There was Woody Allen. Then Mel Gibson. And Alec Baldwin. And Jussie Smollett. And at the top of the YouTube hit list right now: Johnny Depp.

In each of these cases, there were two narratives. A very damaging one that caught fire in the tabloids. And another, more nuanced, view supported by a few friends and colleagues. For all but Jussie Smollett, the damaging story prevailed. Johnny Depp’s trial may determine whether he can restore his professional and personal reputation.

The same phenomenon has occurred in recent years with many public figures. Professional athletes. TV personalities. Politicians. And even social media influencers. The most flagrant example is narratives we’ve been sold about Donald Trump. One has him as a populist hero in touch with the working class. The other as a racist, narcissistic, homophobic, transphobic, and misogynist megalomaniac. And even now, two years after he vacated the White House, those two stories have not changed. Nor has the number of Americans – approximately 100 million each – that believe them.

As someone that’s spent a lifetime selling ideas and information, I’m attentive to the mechanisms of persuasion. And, as any experienced marketer will tell you, the single most powerful way to persuade someone of anything is to begin your sales pitch with a dramatic story. Facts are helpful in supporting one’s beliefs. But the beliefs are born in storytelling.

Stories activate the imagination. And, as neurobiological studies have shown, the imagination conjures up the same sensations – visual, auditory, olfactory, even the sense of motion – that are aroused by real life experiences. (In remembering experiences, the brain cannot distinguish between what was imagined and what was real.)

Facts are processed differently than stories. They are taken in and stored in the neocortical center of the brain, which is designed for logical and rational thinking. It does not have receptors or storage for feelings. (This is the part of the brain that makes Homo sapiens sapient.)

That is why we trust our feelings. They are stored unconsciously and are felt more deeply and more strongly than stored facts. Once rooted, they are almost impossible to deracinate.

And that, I think, is why it is so difficult for us to give up the stories we have come to believe. It’s why my friend and I won’t give up our beliefs about what kind of father Richard Williams really was. Absent the prejudice of deeply stored feelings, we can have a rational discussion that can change our minds. But once we “live through” a dramatic story – whether it is real, imagined, or conjured by a clever journalist or copywriter – facts no longer matter to us. In our limbic and reptilian brains, giving up our stories feels like giving up our very lives.

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Yikes: Inflation Hikes 

* The Bureau of Labor Statistics’ Consumer Price Index (CPI) rose 8.5%, year over year. That’s the biggest inflation jump since December 1981.

* Airfare is up 20% compared to pre-pandemic prices.

* The Producer Price Index (PPI) jumped 11.02%, year over year. That’s the biggest leap since data keeping began in 2010.

* Since the beginning of March, about 30% of baby formula products have been out of stock in the US. Walgreens is limiting purchases to three per customer.

* And finally: The average American is expected to need an extra $5,000 this year to purchase the same quantity of goods and services as he did last year.

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The Two Effects of Inflationary Psychology 

Inflationary psychology describes the behavior of consumers when they get accustomed to prices rising month after month. In such economic times, two subconscious behaviors become common.

  1. People buy more consumable goods than they need. They do so because they realize that those same products will be more expensive the following month. This increases demand and lowers supply. And that causes inflation to rise.
  2. People put off paying bills because they understand that delaying payments means they will be paying them later with less valuable dollars. This is true even when there are late-payment penalties, so long as those penalties are less than the increase in inflation.
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What I Believe: About Honesty and Dishonesty

I’ve done no research to back this up. But I’d bet that the tendency for humankind to lie developed on the same timeline as our ability to speak.

An essential component of civility – if not civilization itself – is the prudent employment of dishonesty. I would further argue that most of the best attributes of culture – art, literature, dance, and sport – are rooted in the willingness to lie about what is possible in the actual world.

I also believe the idea that honesty is not a virtue, but a privilege. A privilege granted by nature to the young and beautiful, and by society to the powerful and protected.

Life without dishonesty would be unbearable.

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The Peggy Guggenheim Collection, Venice

K and I have spent several memorable afternoons in Venice at the Peggy Guggenheim Collection. Less well known than MOMA in New York, the Tate in London, and Centre Pompidou in Paris, it is arguably one of the most important museums of 20th century European and American art.

It is located in Peggy Guggenheim’s former home, the Palazzo Venier dei Leoni, on the Grand Canal.

When you are in the museum, inundated with so many fantastic pieces by the world’s greatest modern artists, it is hard to imagine that this was Peggy Guggenheim’s personal collection. And besides her fabulous collection, the museum offers masterpieces from other collections. And a sculpture garden. And regular temporary exhibitions.

Some highlights of the core collection: 

* “The Red Tower” (De Chirico)

* “The Clarinet” (Braque)

* “Study of a Nude” and “Men in the City” (Leger)

* “Very Rare Picture on the Earth” (Picabia)

* “Birth of Liquid Desires” (Dali)

* “Bird in Space” (Brancusi)

* “The Kiss” (Ernst)

* “Woman Walking” (Giacometti)

* “Landscape with Red Spots” (Kandinsky)

* “Magic Garden” (Klee)

* “Empire of Light” (Magritte)

* “Composition No. 1” (Mondrian)

* “Arc of Petals” (Calder)

* “The Moon Woman” (Pollock)

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Right Now, at the Peggy Guggenheim Collection –

“Surrealism and Magic: Enchanted Modernity”

Salvador Dali, “Uranium and Atomica Melancholica Idyll” (1945)

I mentioned in a previous post that Surrealism is making a comeback. The current exhibition at the Peggy Guggenheim Collection is not an exception.

“Surrealism and Magic: Enchanted Modernity” includes many of the biggest names and well-known pieces, along with many works that, according to Sarah Douglas, editor and chief of ArtNews, have rarely been on public view.

From Douglas: “Occasionally an exhibition comes along to remind us that we don’t in fact know it as well as we think we do, and, serendipitously, such an exhibition happens to be on view right now at Venice’s Peggy Guggenheim Collection, less than a mile down the Grand Canal from the Biennale.”

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Biennale (bee-uh-NAA-lay) is Italian for “every other year.” The Venice Biennale, for example – the original on which other large-scale international contemporary art exhibitions have been modeled – is held every two years.

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Re my interest in visiting Cape May, NJ: 

“Hey, Mark, I can’t say I’ve spent much time in Cape May… but I can tell you that Cape May Brewing Co. makes some very good beers. Their Belgian Ale, Devil’s Reach, stands out. At 8.6% ABV, I’d say it qualifies as a ‘vacation beer.’ Enjoy!” – JZ

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I’ve mentioned several times that I was supporting a stay of execution in Texas for Melissa Lucio, a woman who was scheduled to be executed on April 27. I’m happy to report that her stay was approved.

“It would have shocked the public’s conscience for Melissa to be put to death based on false and incomplete medical evidence for a crime that never even happened,” said Vanessa Potkin, one of Melissa’s attorneys. “The new evidence of her innocence has never before been considered by any court. The court’s stay allows us to continue fighting alongside Melissa to overturn her wrongful conviction.”

To send a note of support to Melissa, click here.

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